From email announcement…
I’ve been asked to do a special one-time performance in Northport, Michigan as part of the Leelanau Uncaged festival on Saturday, September 30, 2017. This festival is FREE. This performance will focus on live interpretations of various Manitou recordings, including All Points North, Landscape, Histories and Sentiment, Shadows of a Detroit Winter Sun, as well as The Phantom Light and Huronic Minor.
This is going to be a special performance: Autumn in Michigan, but not just in Michigan, but in Northport on the Leelanau Peninsula (the little finger of the Michigan glove jutting out into Lake Michigan). I’ll be performing at the historic Willowbrook Mill (built in 1875!). If there was ever a time of year and a specific setting that could be the spiritual birthplace of my music, this as close as any I can think of. If you’re a fan of this music, this is a once in a lifetime event.
I’ve created a special CD, True North, that will only be sold at this performance, highlighting the compositions featured. There’s more information at the Leelanau Uncaged site. If you’re not familiar with Northport, it’s at the most northern tip of the storied M-22 highway, in the heart of northern Michigan wine country, about 40 minutes up the road from Traverse City and next to the magical Sleeping Bear Dunes National Lakeshore — This is beautiful country, some of the best the world has to offer!
Again, here are the details:
What: Matt Borghi performing live selections from Manitou, The Phantom Light and Huronic Minor at Leelanau Uncaged festival
Where: Willowbrook Mill, Northport, MI, Leelanau Peninsula
When: September 30, 2017, Evening (hopefully at Sunset)
I hope to see you there, and if you do, please introduce yourself.
Also, here are a couple of recent long form ambient works that you might be interested in:
Gray’s Reef an hour-long, improvised ambient guitar meditation inspired by the Gray’s Reef Light in northern Lake Michigan, in some ways an extension piece to Manistee North Pierhead and North Manitou Island Shoal from The Phantom Light. If you’re a fan of these recordings, you’ll really enjoy Gray’s Reef.
In the creation of this piece I’ve worked to create a texture or sonic fabric that’s labyrinthine, a place where one’s mind’s eye, and one’s mind’s ear could get lost following the shifting and juxtaposing sonic symmetries, like a musical mandala. I often thought of Philip Glass’ (now out of print) Early Works when working on this piece. I wanted to create something with a textural depth that the listener could retreat ‘into’. It’s not airy or spacey, but is quite dense, thick even, in its use of frequencies as sonic color and the equalization of those frequencies.