Improvised Ambient Guitar Soundscapes with Ableton Live Channel on YouTube

I’ll dispense with the ‘I haven’t written anything here in a while’ preface and get right to the meat of it. Michael Teager and myself are preparing to go into the studio and work on our next Borghi-Teager studio album. This time I don’t have much in the way of ideas and I’ve been spending my time practicing improvising.

Key to my improvisational work is Ableton Live, and after some reviews of Shades of Bending Light dismissed the idea that it was, in fact, wholly improvised, I’ve decided to document, via screencasts, my practice and rehearsal sessions for our next studio album, blemishes, wrong notes, warts and all, so that folks can go behind the curtain and get a conceptual understanding of the craft of our brand of improvised ambient soundscapes.

Additionally, much of the music is pretty good. I’ve surprised myself at times, which is the best part about improvisation… there are about five videos up at the time of this writing, and the music is really quite good. Sometimes, it stalls, and that would be edited out of any recording session in the post-production cull, but here there’s no post-production, I record live, render/upload it out of Camtasia and call it a wrap. So that’s it. That’s what I’m doing.

Also, maybe, some folks might be interested to see what I’m doing in Ableton Live. I haven’t used another piece of software for music since 2002. It’s all I use. All of my effects are standard, out of the Ableton box, and I find that it does everything and more that I can dream of, including things I never thought that I wanted it to do. For a while, many folks believed that Ableton Live was really just for electronic and EDM, but there are many contemporary composers out there proving that wrong and I hope that my vids do just that.

Anyway, thanks and enjoy!

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Out Now – Manitou – Landscape, Histories and Sentiment

manitou_landscape_histories

Hey there. About ten years ago I released a recording called All Points North under the Manitou pseudonym. It was my second letterpress-printed CD edition and a love letter to the city of Detroit, my home, for all intents and purposes. It was impressionistic with reflections on time and experience, but also not, a “Matt Borghi” record… I went into kind of a different process and different state of mind to make that record.

Ten years on, over the summer of 2015, I decided to visit that mindspace again and created a new Manitou record, possibly the last, this is a historical reflection on the city of Detroit, the city of my family, the city of my ancestry. For me, there’s little reflection on or identification  with the northern Italy of my great grandparents and my family name, nor is there much reflection on my Scotch-Irish Appalachian roots, instead, I’m a Detroiter, quintessentially, of mixed ethnic origin, steeped in many cultures and many experiences with an overtone of post-industrial morose and a hopeful optimism for tomorrow’s future. So, this is a long-winded way to say that the latest Manitou record is out. All of the tracks are named after things in 19th and early 20th century Detroit, the Detroit that I heard stories about on the knees of grandparents and looked at longingly in books when we were the “Paris of the Midwest”.  That’s it. There’s not much more for me to say. I hope you enjoy the recording and enjoy the experience.

Links for listening, purchase, etc…

Amazon – http://amzn.to/1kB9P5R

iTunes – https://itunes.apple.com/us/album/landscape-histories-sentiment/id1044015330

CD – http://kunaki.com/Sales.asp?PID=PX00H1TCH5